"I will only be myself, take me, or leave me!
I have my
vulnerable moments, but I’m a strong person.
I need to be
in constant touch with the realities of life.
I’m
definitely not going to be acting after my marriage."
...Kyonki
Dil Chahta Hai!
Preity Zinta has always called a spade a spade and paid a price for
being honest. But she won’t change. Nah! ‘Cause she sets her own rules
and lives by them..., sets her own standards and matches up to them...,
speaks her heart out and sticks to her stand..., evaluates her
priorities and abides by them, being least confused about anything. And
all this is because she says — “I believe in myself.”
You meet her first when she’s shooting for her supposedly debut film Kya
Kehna! and learn a lot about her characteristics, accepting Preity just
the way she is. Later, you meet her after over a year to realize that
not much has changed about Zinta, except for her obvious growth as an
actress and an individual. ‘Cause she’s not the kinda person who lets
superficial factors like her box-office success or failure affect her
considerably to change her very essence.
Eventually, after much anticipation, when you meet her after a gap of
over 365 days, you love chatting up with this bubbly, effervescent woman
of today. ‘Cause, even after experiencing the roller-coaster journey
called life..., witnessing a personal break-up with beau Marc
Robinson..., unfortunately-n-unknowingly being part of a film (Chori
Chori Chupke Chupke) which got enmeshed in the underworld imbroglio...,
Preity is herself, living life to the fullest. “Kyonki, zindagi jeene ke
liye, saari duniya mere liye...” she giggles as the dialogue starts on
the sets of Harmesh Malhotra’s Khullam Khulla Pyar Kare, a backlog film
that’ll eventually release by the end of August, while coincidentally,
two of her other films, Yeh Raaste Hai Pyar Ke and Dil Chahta Hai are
releasing on the same day — August 10.
Khullam Khulla Pyar Kare will eventually release after being in the
making for over two years now. Doing the more contemporary, experimental
kind of films today, looking back, do you feel this was not the right
choice after all?
I don’t regret anything in life because I firmly believe that an
experience of any kind helps you grow as an individual. Moreover,
working with Govinda has been such a blast entertainment-wise because
his jokes have kept me in splits all through the shooting. And, of
course, working with one of the best actors, I've also grown in terms of
an actress.
Like many in the industry who feel insecure to work with a fine actor
like Govinda for the fear of being overshadowed, what has been your
stand?
Such things only bother you when you suffer from an inferiority complex.
I think both Govinda and I are just doing what we’re both best at. And
that is being professional, working amicably to ultimately deliver a
good product. Moreover, times are changing today. I’m very glad to be
born in this generation because it is definitely far more open-minded
and smarter than the past ones. With a lot of multistarrer films coming
up, people are much more comfortable with sharing the limelight. People
who are constantly feeling insecure of getting overshadowed, eventually
land up getting unnoticed in the film, because their energies get wasted
in trying to put their counterparts down. I’ve realized that there is no
standard method of acting. A few roles demand a bit of over-acting,
while in the other few you need to be subtle because the character
demands it. You cannot keep mouthing loud dialogues for all roles and
expect to get prominently noticed. That’s ridiculous! You cannot crave
to steal every scene, every shot, because that way, in totality the film
will not work.
Are you content with the projects that you’re involved with today?
Oh, I couldn’t have had it better in terms of the variety of roles that
I’m playing now. Films like Farhan Akhtar’s Dil Chahta Hai, Kundan
Shah’s Dil Hai Tumhara are just the kind of films I want to be
associated with.
What are your future projects?
I’ve signed Rakesh Roshan’s Koi Mil Gaya with Hrithik, an untitled film
with Abbas Mustan and a film with the South maker Shanker called Robo,
to be made in Hindi of course.
But you’ve done South films too...
I did two Telegu films down South, and both were blockbusters. I did
them because many challenged me that I’d not be able to do a South film,
look so fat, speak their language... I took it on myself to prove a
point to both, myself and these detractors that I could do it. Also, I
had the needed dates then. I believe that it’s better to do a good South
Indian film than a bad Hindi film.
But then signing a run-of-the-mill commercial film can be a alluring
proposition simply for the moolah it offers...?
I’ve signed only one film for money till date because I wanted to buy a
house in Bombay then. And after that, I’ve told myself a zillion times
and more, “never again will I sign an unsure project.” Oh I died
everyday I’d to shoot for it. But then every actor at some or the other
point of time in their career has signed stupid films for various
reasons. What the heck, why brood over past mistakes, or try putting the
blame on anybody else when I know only I am to be blamed.
Where do you think you went wrong with those films?
I’m an actress who insists on getting a hardbound script before the film
starts shooting. And it is in these films that I wasn’t given one. Since
the script varied during the making, I eventually realized that my role
wasn’t shaping the way I was told it would.
But in a male chauvinistic ambience, don’t makers find it snooty or
starry for the heroine of the film demanding to know her role
beforehand?
I don’t think it’s starry for any heroine to ask for a bound script. At
least the filmmakers with whom I’ve worked with believe in this
themselves, be it Vidhu Vinod Chopra or Kundan Shah. Look, I’m the kind
of actor who gives her all once she’s signed on the dotted line. But I
need to know what ‘all’ comprises. It kills me to realize the energy and
creativity that I’m putting in is ultimately worth nothing.
Tell us something about the much-anticipated Dil Chahta Hai.
Dil Chahta Hai is a real film, so unlike the usual commercial ones.
Guess it’s for the first time that you truly get to see Indian youth
just the way they are, without any candy floss, any gloss, sans that
extra bit of commercialism in the script. Everything about the film is
today. Ranging from the complexes the youth of today have, to the
struggles that they face, to the clothes they wear, the kind of music
they listen to... everything is today! It was a pleasure doing Dil
Chahta Hai because the entire unit was under the age of 35. We had a
blast. Most importantly, for a change, we were doing believable things.
You’re one actress who’s landed in a soup for putting her foot in her
mouth. Well very often, if not always.
Many think that my straightforwardness is a sham, that it’s a put-on.
But I don’t care one bit for what people think or believe. Well, I do
what I have to do while people do what they have to do. In some ways my
honesty has helped me, while in many others, it has worked against me.
But at the end of the day, I’m content being me, take me or leave me,
I’m not going to change.
Don’t you think you lose out on work when you rub people the wrong
way because of your straightforward attitude?
I’m here as an actress to be a part of good ventures and am going to
work with filmmakers who’re here to make good films. No other vested
interests, please. After pack up, it’s bye- bye film industry. I don’t
take my work home. I have many friends outside the industry and
socialize most with them.
With so li’l films on hand, it must be risky in a profession which
judges you by your last film. Guess its because of your conviction and
guts that the industry has tagged you ‘The female Aamir Khan’.
(Laughs aloud) I don’t think I want to work with producers who want to
sign me the moment a film of mine becomes a hit, and if in the process
another film of mine flops, that they start to doubt my abilities as an
actress. I want to work with filmmakers who believe in me and feel that
I’m essential to the script. About doing very few films, I’m a person
who needs to take time off to do various things that give me immense
pleasure. Something like trekking, bush-walking, and the like. I need to
get in touch with my real self. I need to be in touch with hardcore
reality. Not only this, I’ve realized that my extra-curricular
activities have helped me grow as an actress, and also as a human being
of course.
Which place do you like to visit the most?
Australia. The wild forests and me, that’s it. No phone calls, no
computers, no work, no filmi gossip... it’s out of the world! I don’t do
anything too risky or wild because back home I cannot let down the
makers who’ve invested so much money in me by injuring myself. That way
I’m a thorough professional.
Talking about gossip, does it affect you still?
I’ve become very thick skinned. Nothing written or said about me affects
me anymore because I’ve realized that if I let myself get taken in by
all that the media states, I’ll go nuts! Earlier it really hassled me
when they linked me up with Sanju (Sunjay Dutt). It became kinda odd to
face each other on the sets after all those rumours. I detest being
linked up with my co-stars because I’ve never shared anything intimate
besides a great working relationship. I was so badly affected that I was
crying from the rooftops claiming them to be all false. But now I’ve
become thick-skinned. Today if someone is to link me up with some guy,
I’d turn around and say — me with only one guy? There must be more to
it!
With you being single today, do you think the rumour-mongers will
work overtime?
Oh, I’ve developed this phobia that I’ll be linked to any guy in sight.
Apparently, I’m suppose to be having a scene with Deepak Shetty, Namrata
Shirodkar’s ex-boyfriend. That’s the most bizzare thing I’ve ever heard.
Gosh, I haven’t seen Deepak for over three-and-a-half years now. I’ve
just met him twice in my life and that too with Namrata. Some journo has
reported that since the two of us are heartbroken with our respective
relationships breaking up, we’re suppose to be mending our hearts
together. Such utter rubbish!
Otherwise, are you happy being single today?
I love every bit being single. I do what I want, meet whom I want to,
travel anywhere across the globe without having to inform anybody...
basically, it’s a divine feeling — not being answerable to anybody. The
moments I miss a man in life are so rare compared to the excessive
emotional baggage that comes along with having a serious relationship
that I’d rather not want one. At least not one in the near future. I
love my space and don’t want to give it up for anything in the world.
Men usually can’t handle highly individualistic women.
To bad if my independence lands me into no relationship. Honestly, it’s
really tough to get into a serious relationship in this profession
because, firstly, I don’t have the time for anybody, and secondly, I
don’t want to explain myself to anybody. Scandals are an occupational
hazard, so that’s something that my guy will have to learn to handle.
Talking about being highly individualistic, I’m definitely strong, but I
am vulnerable and emotional too in many ways. To tell you honestly, if I
was a man, I’d love to date a woman who’d be someone like me. I’m not an
insecure person who’d breath down my lover’s neck wondering about her
whereabouts. As an individual I come with the least amount of complex
problems. Yaar, ek toh, most of the times men fall in love with an
actress for all the wrong reasons. But being the intuitive kind, I guess
I’d get to know the intentions of the guy.
Do you believe in the institution of marriage?